The Adventures of Batman & Robin is a series of video game adaptations released between 19 featuring the DC Comics characters Batman and Robin based on.Over 100 million products! Home browse press kits batman. Batgirl Returns is the last aired episode of the second season and the last one from Batman: The Animated Series. The episode features Batgirl as the main character. Filmtracks: Batman (Danny Elfman)Batman: (Danny Elfman) Action movie aficionados. Tim Burton's 1. 98. Batman to thank for the.
Batman's. explosive debut. With its outrageous marketing bonanza courtesy of an. Warner Brothers, Batman was one of the rare action. Balancing the. carnival atmosphere natural to Burton's zany artistic tendencies. Jack Nicholson's extremely expensive Joker and the. Prince that actually made the final cut of. Burton had collaborated with composer. Danny Elfman for the wildly creative Beetlejuice the previous. Pee- wee's. Big Adventure and Elfman's other stabs at comedy). The highly. effective score for Batman, however, would not only shake the. Michael Jackson, George Michael, and. Prince (only the latter would remain), but also introduce the composer. Elfman's whimsically tragic music that would solidify with. Edward Scissorhands and The Nightmare Before Christmas in. In the interim, Elfman and Burton attempted to. Batman over to a 1. Batman Returns takes far more chances in the diversity of its. Elfman proved unable to recapture the same raw sense of action. While considered more of a . Whereas John Williams is universally recognized. Superman, Elfman has cemented himself. Hans. Zimmer fanbase, as the same for Batman. Perhaps no title theme. Bruce Wayne. character. The theme is often misidentified as only consisting of five. Jeff Bond's notes for the 2. Batman made this error. The sixth note is the payoff only. Elfman that. Wayne's existence is defined by a lack of personal completion. The. easily recognizable construct of this theme allows Elfman to use. The composer. claims that he first thought up the tune on an airplane flight from. London back to America and embarrassingly went to the toilet several. Later, he also acknowledged that some of the inspiration in. Bernard Herrmann's opening to. Journey to the Center of the Earth, with almost a complete. Herrmann composition at the outset of Batman. The. three- minute opening credits to Batman follow the tradition of. Elfman maximizes the effectiveness of. Two such massive and. Batman, including the opening bars. The melody is eventually performed by every. The legacy of this theme would live on in Elliot. Goldenthal's two Batman scores, though the later composer. The concept of building a crescendo around the anticipated switch. Other themes and motifs. Batman, but they are relatively unmemorable or obscure. For the Joker, Elfman chose to utilize. Elfman offers very subtle foreshadowing. Jack Napier's pre- Joker persona in . Elfman also adapts. Stephen Foster's . A. music box effect underlines these performances, providing a humorous. The love theme, based in part on the Prince's song. Nelson), has pieces. Batman's primary theme built into its construct, a bittersweet and. A. distant and menacing bass line in . Far more splashy is the. Elfman provides the Axis chemical. In this cue, Elfman also introduces a motif specifically for the. Joker's falling, an act that both creates and destroys the character. For many years, there was some controversy. Steve Bartek and Shirley Walker played in the. Batman, specifically whether they. Elfman himself. Some in the establishment of the. Elfman, an untrained. William Ross had written much of Beetlejuice. Batman. Bartek and others have reminded us, however, that Elfman. As such. Elfman has long been rather annoyed by the speculation that Bartek and. Walker contributed more than their documented roles to Batman. As testimony to Elfman's guiding hand in both scores. Batman is much like Beetlejuice in that its instrumental. The muted. trumpets in the score, though noirish in intent, seem like another. Herrmann. A pipe organ often lends. Beetlejuice; it's used during all of the major crescendos. The organ is also a staple of Batman. Returns, though its application to the Penguin's material in the. Batman, the organ in Batman Returns may as well. The piano reprises its role from. Beetlejuice and Pee- wee's Big Adventure as well, mixed. Cutting jabs on the piano. Sorrowful. elegance results when the piano beautifully conveys the title theme in. Batman is less obvious than it would be in. Batman Returns, often used as only an accent to orchestrally. The two striking exceptions both involve scenes of nature. Together with the title theme, this cue is a. Elfman collectors will hear similarities in. Scrooged here as well. Unfortunately, the. During the lengthier. But beyond that. Elfman's use of drums is astoundingly dynamic. The composer incorporates. Prince. songs that made the film, and the mix of the drums specifically creates. Joker. behavior and the resulting havoc. The metallic percussion also is. With Gotham and its cathedral. Elfman typically returns to the banging. Always harmonious, these. The harp provides. A handful of unique sound effects. In sum, an inspired performance by The Sinfonia of. London with Walker at the helm brings Elfman's best superhero score to. Some critics continue to lament that they hear pieces of Holst. Orff, Strauss, and Wagner in Batman (not to mention Herrmann, of. Elfman packages all of the pieces of the score so well that. In sales, the score. Prince's hyped (and much better. Scarecrow Press' Film Score Series of books, devoting an entire volume. Prince's songs). The legacy of Elfman's work for the Batman. Hans Zimmer's 2. 00. Elfman's ability to leave. Wayne than anything Zimmer has provided the. The long- standing 1. Warner Brothers score- only album of 5. Batman has served Elfman's music well, despite the. Its mix often differed from that. The most intriguing distinction comes from the fact. This circumstance was made painfully clear. La- La Land Records had to assemble the film version of the score. Batman in 2. 01. 0. For. some listeners, the most noticeable distinctions are the edits that the. Shawn Murphy's resounding mix of the album version simply blows away the. La- La Land's 2- CD set contains the film. CD and the album version on the. The. Murphy mix of the album version is remastered for the 2. For those accustomed to this fuller, magnificent. Batman, hearing the film. Beetlejuice and, not. Batman Returns (which La- La Land also tackled in. The varying sources may be to blame for these extremely divergent. Complicating matters is the. The. 2. 01. 1 set contains Batman only on one CD, which means that it. La- La Land. product. It does, like many of the scores in that set, exhibit a. But if you seek the most comprehensive presentation of. La- La Land album is clearly superior. The final track on. That album does have a curious editing defect that. Both products. feature the extended version of . It is clear that those who assembled the 2. Batman as thorough as that on. CD set was not possible, so there is really no intent to try. The mastering and mixing of the two products is slightly. When compared to the legacy of. La- La Land product still didn't live up to the. Thankfully, La- La Land did. As for the entirety of the score, while die- hard. Elfman fans continue to argue that the more varied and brooding sounds. Batman Returns are superior, the majority the mainstream. Batman is a classic of such. Dancing with the devil in the pale moonlight would never sound. The maximum rating is 5 stars.
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